For flats (the keys you find moving counterclockwise), you can read the same mnemonic backwards: Battle Ends And Down Goes Charles Father.Yet when a trumpet player plays a C on the score, the note that we hear is a Bb. So if E major has 4 sharps, the notes that are sharp are the notes that correspond to the first 4 words in your mnemonic device. When a piano player reads a C on the score, the note that we hear is a C. The first letter of each word corresponds to a note. For sharps (the keys you find moving clockwise), remember the phrase Father Charles Goes Down And Ends Battle. To work out which notes should be sharp or flat, you can use a mnemonic device.From the circle of fifths you can see that your new key signature is E major. You transposed the music to E flat by moving the notes down a minor third. For example, suppose your concert pitch music was in G. The circle of fifths will tell you which sharps and flats you need.Mark these on your staff paper next to the treble clef. Check your new key signature on your circle of fifths to figure out which notes should be sharp or flat. (You could also read down a perfect fifth, but I think you'll find you run out of notes in the basement pretty quick.Mark your new key signature on your staff paper. Which mean, we have our transposition interval: up a perfect fourth. B-flat horn, you say? Well, we just have to play an F any time we see a C. The next step is just figuring out how to play the E-flat on the horn you're holding, and you're golden. So, let's look at the part in E-flat: just as we know that every time we see a written C on a B-flat part we're really playing a B-flat, every time we're seeing a written C on an E-flat part, we need to play an E-flat. Simple enough, right? So, when you see a written F, you really know that the pitch coming out of your bell is an E-flat. How you get to concert pitch from B-flat is the same for every note: you just read down a whole step. This is called the concert pitch this is the note you'd have to strike on a keyboard if you wanted to play the same pitch. When you look at a B-flat part, it means that every time you look at a written C, what has to come out of your bell is a B-flat.
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